Is this only for films?
No. Anything with picture and sound, which covers most multimedia work: shorts, features, ads, trailers, game cinematics and gameplay capture, explainers, product videos, music videos, and clips cut for social. A ninety second ad and a ninety minute feature run through the same engine and the same five stages. What changes is the runtime and where it is going, and both of those are just numbers in the quote.
So do you use AI or not?
As tooling, yes, on every project. AAPE, our AI Audio Post-Production Engine, handles restoration, noise and artifact repair, transcription, alignment, separation, synchronisation and loudness measurement, because the engine is steadier at those than hands are. What it never does is decide: what gets treated and how far, what sound goes where, and what the audience should be hearing. Where a sound has to be built rather than recorded, it is still placed, edited and mixed by hand. The breakdown is on the people section.
What is AAPE?
AAPE is our AI Audio Post-Production Engine, the chain we built and run here. It is not a repair plugin. A plugin only opens an audio file. AAPE watches the picture too, which is what puts a sound on the exact frame. On the audio it cleans, isolates dialogue, sets levels, splits the stems and checks the master against the delivery spec. Nothing to install, no account, and an engineer decides what it is used for.
What is SOP?
SOP is Sound On Picture, the software AAP built on the AAPE engine. A desk for putting sound on picture: find a sound by describing it, rebuild it to any length without a seam, clean it in the right order, place it against the frame, and export every track on its own. SOP goes on sale in September 2026, and the software page has the detail.
My video was made entirely with AI tools. Is that a problem?
No. Work made with AI tools is the normal case here, and the reason this exists. It arrives with no soundtrack on it, which is a starting point rather than a fault.
I already have audio. Can you fix it instead of starting over?
Usually yes, and it is often cheaper. Send what you have. If starting again would genuinely produce a better result for less money we will say so rather than quietly charging you for both.
What do I need to send?
A link to the cut, any audio that already exists, and where it is going. Nothing else to begin with.
How long does it take?
Quoted per project along with the price, before anything starts. Runtime is only part of what decides it.
Can you work from a rough cut?
We can start, but re-cutting picture after a mix means re-doing the mix. The closer to locked, the less it costs you.
Do you do music as well?
Music editing and placement is part of the mix. Original score is available and quoted separately.